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SASDAYA: Gadjah Mada Journal of Humanities
Published by Universitas Gadjah Mada
ISSN : 25483218     EISSN : 25493884     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
SASDAYA: Gadjah Mada Journal of Humanities (GMJH), is a multidisciplinary scientific journal with the primary aim of exchanging, developing, and disseminating of Humanities on Southeast Asia. Articles published in journals are based on research results, fieldwork, and literature studies (development of theory) by first through a peer-reviewed process. The Management of the journal invites academic, and researcher to submit their critical writing to contribute to the development of the humanities sciences.
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 2, No 2 (2018): MEI" : 7 Documents clear
Kita Dan Dunia Kontemporer (Atau Mengapa Sejarawan Harus Menyesuaikan Cara Kerjanya Dengan Tuntutan Perkembangan Teknologi Informasi Digital) Agus Suwignyo
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.36450

Abstract

In the last 15 years, the interest of Indonesian people in the history and study of history has increased very rapidly. This is indicated by the number and various type of historical books sold in bookstores and the posting of different historical events on social media. However, the history taught at school and university lecture does not seem to improve. The efforts of writing and teaching history lessons/courses still focus on models and the results of the formal study which tend to be a state-centric in nature. In particular, historical writing and teaching have faced challenges of the emerging changes caused by the global connectivity of information technology as a historical fact of the contemporary world that is growing. The contemporary world presents a new challenge in the study and teaching of history through the development of digital communications technology. This paper reviews historical positions and historians in the rapid dynamics of the development of digital communications technology. Why and how historians should develop a proper perspective in placing their studies in the current era of digital technology? Papers process data using digital technology and contrast it with the model and approach of historical study in Indonesia so far.
Perusahaan Rekaman Lokananta, 1956-1990-An: Perkembangan Produksi dan Kiprahnya dalam Penyebarluasan Seni Pertunjukan Jawa Surakarta Dhanang Respati Puguh
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.36457

Abstract

This article examines on the role of Lokananta in disseminating Javanese performing arts of Surakarta during 1956-1990. It is focused on records production either in vinyl or tape cassettes and its distribution. This article composed using historical method and utilize wide range of historical sources, such as archives, newspapers, vinyl and cassette covers, articles, books, and oral history. The results showed that during 1957-1971, Lokananta has produced vinyl records which were classified into National Music, Regional Entertainment, and Regional Theatre Music. In that period, Lokananta production was dominated by recording of National Music and Music-Theatre of Central Java. During 1971-1985 Lokananta produced many music and theatre records of Central Java printed into cassette tape. In 1985-1990’s, Lokananta produced and made reproduction on cassette recordings. Quantitatively, production and reproduction recording number has drastically decreased compared to the previous period. Records vinyl and tape cassettes sale, as well as the distribution via Radio Republik Indonesia and private broadcasts, proved that Lokananta has been instrumental in disseminating Javanese performing arts of Surakarta.
Beyond The Historiography: Film Dokumenter Sejarah Sebagai Alternatif Historiografi di Indonesia Aan Ratmanto
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.36452

Abstract

The Department of History, Faculty of Cultural Sciences, the University of Gadjah Mada in 2015 made a milestone in the development of historiography in Indonesia. They made a bold move to produce a scholar with a documentary film work instead of a thesis. In the future, it is not impossible that this step will soon be followed by other universities in Indonesia. This paper was written in response to these developments. In this digital era-and in the midst of still low interest in reading in Indonesia-emerged the discourse to seek new media for historiography in Indonesia. The film, especially documentary films are seen as new media that match the characteristics of history because of they both present real-life reality. Moreover, Indonesia with the diversity of tribes and culture and history, of course, save a variety of themes that will not run out to be appointed a documentary. Based on that, this paper will discuss the types, forms, and format of the documentary that is suitable and possible to be produced by history students as a substitute for thesis-considering the cost of film production tends to be higher than thesis research. Thus, the film of a documentary a college student, especially a history produces the quality of research and aestheticsKata 
History Flash: Sejarah “Satu Menit” Rhoma Dwi Aria Yuliantri
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.36453

Abstract

This paper elaborates thoughts regarding the use of digital communication technology in the innovation of historical explanation. So far, the explanation of history in the mainstream has set the written explanation (script) as a product of study and thought on historical reconstruction. The script is for sure an important form that has been widely accepted as an output of the past reconstruction. However, technological developments, especially in the field of digital communications, provide historians with new challenges regarding alternative forms of historical representation which confronts the existed conventional models. This paper offers thoughts about the method of historical reconstruction through flash history in the form of short filmmaking, which has the duration in minutes. The objective is to socialize history and bring closer the process of historical reconstruction to the daily life of the community, which currently engages with digital communication technology. The method applied in this study is a historical method. But, the stages and the outputs of this historical method is not a written narrative, but an audio-visual product that can be quickly shared as a learning medium and can be directly addressed by the community. The paper also reviews the limitations of digital technology as media and product in the process of historical reconstruction.
Gardu dalam ‘Struktur’ Politik di Indonesia: Sebentuk Pertemuan Historisisme, Strukturalisme Levi-Strauss dan Posmodernisme (?) Asti Kurniawati
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.36455

Abstract

This article aims to examine the possibility of meeting three paradigms of Historicism, Structuralism of Levi-Strauss and Postmodernism by analyzing the book of Abidin Kusno, Penjaga Memory; Gardu di Perkotaan Jawa, using the paradigm of Levi-Strauss structuralism, exploring the paradigm that used by the author and the philosophy behind the writing history. This step was done to find out the possible paradigm meeting between those used by the author of the book and the Levi-Strauss structuralism paradigm that used to analyze the book.
Peran Semantis Argumen Klausa Verbal Bahasa Dawan Dialek Amanuban, Nusa Tenggara Timur Horiana Ilyadim Tenis; Yoseph B. Kroon; Johnson W. Haan
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.36449

Abstract

This research entitled “The Role of Semantic Argument on Verbal Clauses of Dawan Dialect Amanuban”. The Problems discussed in this research are (a) How is the basic structure of verbal clause of Dawan Dialect Amanuban? (b) What role does the semantic argument contain in the verbal clause of Dawan Dialect Amanuban? The study aims to (a) Describe and analyze the structure of the verbal clause argument of Dawan Dialect Amanuban, (b) Identify and analyze the role of semantic argument verbal clause of Dawan Dialect Amanuban. The Method used is qualitative descriptive method and macro perceived theory (Macro rules). Based on this theory, the analysis of the research results shows that the basic structure of the BDDA verbal clause is Subject-Predicate-Object (SPO) and Subject-Predicate (SP) in the intransitive clause. Percent macro actors are realized through the thematic role of locative influencing agents, theme, instrumental, and benefactive. The role of the macro underground is realized through the thematic, benefactive, instrument, theme, locative, and influence roles. 
Nasionalis Pembaru Tanpa Kegaduhan: Biografi Manusiawi Sultan Hamengku Buwono IX Bambang Purwanto
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.36456

Abstract

Ada satu hal yang selalu membekas setiap kali selesai membaca biografi, yaitu muncul kesan betapa pentingnya setiap figur itu di dalam proses sejarah yang dijalaninya. Setiap tokoh yang ada di dalam biografi itu selalu dihadirkan sebagai keutuhan diri yang sempurna, seseorang yang seakan-akan tidak pernah memiliki kekurangan layaknya seperti malaikat. Masing-masing tokoh hadir dengan kebesaran diri yang luar biasa, dan bahkan dalam banyak hal cenderung digambarkan melampaui kenyataan diri sebagai manusia, atau paling tidak seperti manusia super. Akibatnya, intersubjektivitas dalam penulisan sejarah dan mitologisasi atas figur yang menjadi objek tulisan tidak dapat dihindari. Perbedaan antara sejarah sebagai historiografi yang merupakan konstruksi atas kenyataan yang terjadi di masa lalu dengaan mitos yang dipenuhi oleh subjektivitas normatif dan sarat dengan kepentingan legitimatif, menjadi sangat tipis. Dalam banyak kasus bahkan sejarah dan mitos bercampur aduk menjadi satu, namun di dalam memori kolektif dipercaya benar-benar sebagai kenyataan masa lalu oleh masyarakatnya. Terlepas dari berbagai tinjauan kritis yang ada di dalam biografi ini, kebesaran Sultan Hamengku Buwono IX sebagai nasionalis dan pembaru baik dalam konteks sejarah Yogyakarta maupun sejarah Indonesia tetap lebih menonjol dan tidak tergantikan, harimau mati meninggalkan belang gajah mati meninggalkan gading manusia mati meninggalkan nama. Nama besar Sultan Hamengku Buwono IX sebagai nasionalis Indonesia sejati yang tidak pernah melupakan asal usul kejawamataramannya tidak akan hilang oleh tinjau kritis atas tindakan-tindakan politik dalam konteks masanya. 

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